Would Sgt. Pepper's be exactly the same without Peter Blake's cover ? At a time when full-length records do not mean much any longer and album covers even less, I found interesting to make a website on sleeve design. Long before videos, record covers were the visual embodiment of music, a way to put images on sound. I remember having spent hours as a teenager detailing the cover of records while listening to them. Later on, I realised that some of them had things in common in their design, revealing either a mere sign of the times or a more deliberate connection. Some records even obviously copied famous sleeves, as a tribute or as a mockery. Here is a collection of record covers I came across, which share some common visual features.

Landscape triptych














The Moody Blues

Seventh Sojourn (1972)

Bonnie 'Prince' Billy

The Letting Go (2006)

Emancipator

Safe in the Steep Cliffs (2011)


Kohl-rimmed eyes












Puddle of Mud

Volume 4: Songs in the Key of Love and Hate (2009)

Rufus Wainwright

All Days are Nights: Songs for Lulu (2010)


EMI at Manchester square























The Beatles

Please Please Me (1963)

The Beatles

1962-1966 (Red Album) (1973)

The Beatles

1967-1970 (Blue Album) (1973)

The Beats

Please Please Me (1999)

Blur

Secret Gig 95 and Lots More (Bootleg) (1995)

The Sex Pistols

1976-1977 (Bootleg) (2001)